Music Producer · Arranger · Film Composer  ·  Fuerteventura, Canary Islands

Your project is
70% done.
I finish it.

You can hear exactly how it's supposed to feel. The instrumentation isn't landing, the arrangement isn't clicking, or the concept isn't coming through. That's exactly where I come in.

Luca in the studio

Think for the song, not the ego.

— Luca's first rule, every session

The soul behind the work.

What I care about most is the magic — and I never stop chasing it.

The part of this work that drives me is the dedication to the magic of music. The creation and collaboration of different people, different cultures mixing, new experiences being made. I dedicate everything to a feeling — and I can go without breaks. I am always in the studio, creating for others or for myself.

Music is emotion. That’s the story we want to show.

What people sometimes misunderstand about my role: I fully dedicate myself to a project, because I need to know your story to connect with your music. Once I’m in, I’m helping you make decisions — and I’m the one who finally says: it’s done. I plan it out, then I execute it. 9 o’clock is 8:45 for me.

The Problem

You can hear the gap between what's in your head and what's coming out of the speakers.

The arrangement isn't clicking. The parts aren't sitting together. You've been circling the same four minutes of music for months. It's not a lack of talent — it's a lack of the right ears in the room.

01

"Why is my guitar solo not blending? Why do the backing vocals sound wrong?"

02

"The song has everything it needs. I just can't figure out why it won't finish."

03

"I know what I want it to feel like. I just can't get the production there."

04

"I've tried everything. I need someone who can hear what I can't name."

Jazz training. Film scoring roots. Twenty years of listening deeper than most.

Artists come to me when they need to finish something — when the instrumentation isn't landing, when they need horns that actually fit, or when the sound isn't matching the story they're trying to tell. I come in, listen with your ears, suggest without imposing, and get it done.

What clients who stick around always say: I'm fast, I deliver within the week, and I never imply — I suggest. I listen with their ears. I'm a studied multi-instrumentalist so I can play for you too. And I fully dedicate myself to each project — because music is emotion, and I need to know your story to connect with it properly.

When a project fires, ideas come like a waterfall — because there are endless possibilities in music and I never stop looking for them. Real instruments. Real players. No ego. Just the song, and getting it across the finish line.

Luca playing trumpet
20+
Years teaching, coaching, and training ears
Jazz
Formal training — harmonic depth that most engineers don't have
Film
Scoring roots — conceptual, narrative-first production thinking
Real
Actual musicians. Actual instruments. Actual feel.

Based at Andy's Recording Studio, Fuerteventura — working alongside studio owner Andy.

A fully equipped, professional recording studio on the Canary Islands, with nearly 30 years of combined production and sound engineering experience on site.

Visit Andy's Recording Studio ↗

What you get when you work with me.

I.

Get Your Track Finished

You have the song. You don't have the finish line. I come in, hear what's missing, and get you there — arrangement, instrumentation, concept — within the week.

II.

Get the Right Horns

Need a brass section that actually fits? I arrange, record, and place horns that serve the track — not horns that sound like an add-on. Trumpets, trombones, the full section.

III.

Find Your Sound Identity

When you know what you want to say but can't figure out how it should sound. I work inside your concept and build the sonic world around it — without overwriting who you are.

IV.

Live Musicians, Fast

I'm a studied multi-instrumentalist with a network of world-class players. You get real instruments, recorded properly, delivered fast — usually within the same week.

V.

Radio Edit & Album Versions

I plan the arrangement in detail — instrumentation, pitch, groove, hooks — and deliver both a tight radio edit and a full album version, without losing what makes the song work.

VI.

Full Dedication, Zero Ego

I need to know your story to connect with your music. Once I'm in, I'm fully in — planning, executing, and not stopping until it's done. 9 o'clock is 8:45 for me.

The proof is in the finished work.

“La verdad es que ha sido una gran experiencia. Me ha producido 6 canciones, y puedo decir que es una persona súper comprometida y profesional. Además de ser un multiinstrumentalista genial, tiene la humildad de no querer interferir con ideas y conocimientos ajenos al cantautor. También tuve acceso a músicos increíbles, dada su trayectoria. Nada más que dar las gracias, por su compromiso y hacer realidad mi música.”

Marcos Saralegui
Artist · Full Album

“You make the magic happen. I fully trust you in your decisions. It’s a wow — no, it’s a triple wow.”

Armin — LUI
Artist
WhatsApp message from a client praising the studio session with Luca and Andy
MEJOR CON COPAS — FUERTEVENTURA

You're ready if you come in with a song that means something to you.

  • 01 You need to finish a product — a single, an EP, an album — and you want the right instrumentation to make it feel complete. Especially if horns are part of the picture.
  • 02 You want someone who listens with your ears, not theirs. Who suggests, not imposes. Who helps you make the final call and then says: it's done.
  • 03 You need it fast. Not sloppy — fast. Delivered within the week, with real musicians and real instruments, because you've been waiting long enough.
  • 04 You care about your sound identity and concept — not just how the track sounds, but what it says and whether it sounds like you.
  • 05 You want a collaborator who is fully in. Who knows your story, connects with the music emotionally, and doesn't clock out until it's right.
Not the right fit if
"You show up late, drop feedback that has nothing to do with the song, and treat studio time as something that can be rearranged on a dime. If you care more about what you want than what the music needs — I'm not your person."

Ready to finish
your music?

Bring what you have — the half-finished EP, the song that needs horns, the project that's been sitting at 70%. Tell me your story. We'll get it done, and fast.

Get in Touch lucasimonellitp@gmail.com